Revision history for SetupC16
Additions:
- DON'T "hot-plug" your C16. This is a very old system and they're not designed to be plugged in or unplugged while the computer is on. This is not unusual - back in Paris' day there was no such thing as USB or Firewire, and hot-plugging the day's equivalents, such as SCSI, could very easily fry a card or even a motherboard. Such was the life of a computer user in the 20th century. The potential consequences of hot-plugging a C16 cable are similar to using a crossover cable, so always turn off your computer before plugging or unplugging either end of your C16's cable.
One more C16 caveat to bear in mind - virtually all PARIS hardware is now either over a decade old (even the most recently released PARIS hardware is now approaching it). The C16 uses rotary encoders instead of potentiometers, and years of internal abrasion in normal use leaves tiny particles of metal rubbed off of the "wipers" of the encoder floating free inside them.
One more C16 caveat to bear in mind - virtually all PARIS hardware is now either over a decade old (even the most recently released PARIS hardware is now approaching it). The C16 uses rotary encoders instead of potentiometers, and years of internal abrasion in normal use leaves tiny particles of metal rubbed off of the "wipers" of the encoder floating free inside them.
Deletions:
One more caveat to bear in mind - virtually all PARIS hardware is now either over a decade old (even the most recently released PARIS hardware is now approaching it). The C16 uses rotary encoders instead of potentiometers, and years of internal abrasion in normal use leaves tiny particles of metal rubbed off of the "wipers" of the encoder floating free inside them.
Additions:
- DON'T "hot-plug" your C16. This is a very old system and they're not designed to be plugged in or unplugged while the computer is on (this is not unusual - back in Paris' day there was no such thing as USB or Firewire, and hot-plugging the day's equivalents, such as SCSI, could very easily fry a card or even a motherboard). The potential consequences are similar to using a crossover cable, so always turn off your computer before plugging or unplugging either end of your C16's cable.
Deletions:
Additions:
Note that your C16s will **all** boot up as C16A the first time you install and boot PARIS. If you have multiple cards and multiple C16s this means that **all** of your C16s will be assigned to Submix A. Therefore your first task should be to manually assign each C16 to the submix you want it to control. To do this, you can leave your first C16 assigned to Submix A (unless you particularly want a different assignment) and turn to your second C16. Hold down the **Submix** button on the C16; a green light will appear over one of the tracks on the C16. This light tells you the submix the C16 is assigned to. To reassign it, keep holding down the submix button and press the number of the desired submix on the C16's keypad (the green light will switch "tracks" to acknowledge the change).
Deletions:
Additions:
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or frequently need to access the MEC for re-patching, the C16 is the only part of PARIS' hardware you'll need to have constant physical access to. Fortunately the C16's cable can be quite long, with even 20' cables being absolutely fine. This allows you to move the computer and the rest of your PARIS equipment to an isolation box, a dedicated "machine closet" (remember to provide adequate ventilation!), or even a separate room so the fans and drives of the computer and MEC aren't picked up by sensitive microphones.
Deletions:
Additions:
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or frequently need to access the MEC for re-patching, the C16 is the only part of PARIS' hardware you'll need to have constant physical access to. Fortunately the C16's cable can be quite long (20' is absolutely fine) which allows you to move the rest of your PARIS equipment to an isolation box or dedicated "machine closet" (remember to provide adequate ventilation!), or even a separate room.
Deletions:
Additions:
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or frequently need to access the MEC for re-patching, the C16 is the only part of PARIS' hardware you'll need to have constant physical access to. Fortunately the C16's cable can be quite long (20' is absolutely fine) which allows you to move the rest of your PARIS equipment to an isolation box or dedicated "machine room" (remember to provide adequate ventilation!), or even a separate room.
Your C16s will **all** boot up as C16A the first time you use PARIS. If you have multiple cards and multiple C16s this means that **all** of your C16s will be assigned to Submix A. Therefore your first task should be to manually assign each C16 to the submix you want it to control. To do this, you can leave your first C16 assigned to Submix A (unless you particularly want a different assignment) and turn to your second C16. Hold down the **Submix** button on the C16; a green light will appear over one of the tracks on the C16. This light tells you the submix the C16 is assigned to. To reassign it, keep holding down the submix button and press the number of the desired submix on the C16's keypad (the green light will switch "tracks" to acknowledge the change).
Your C16s will **all** boot up as C16A the first time you use PARIS. If you have multiple cards and multiple C16s this means that **all** of your C16s will be assigned to Submix A. Therefore your first task should be to manually assign each C16 to the submix you want it to control. To do this, you can leave your first C16 assigned to Submix A (unless you particularly want a different assignment) and turn to your second C16. Hold down the **Submix** button on the C16; a green light will appear over one of the tracks on the C16. This light tells you the submix the C16 is assigned to. To reassign it, keep holding down the submix button and press the number of the desired submix on the C16's keypad (the green light will switch "tracks" to acknowledge the change).
Deletions:
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or need to access the hardware for re-patching, the C16 is the only part of PARIS' hardware you'll really need to have physical access to. Fortunately the C16's cable can be quite long (20' is absolutely fine) which allows you to move the rest of your PARIS equipment to an isolation box or dedicated "machine room" (remember to provide adequate ventilation!), or even a separate room.
Additions:
This can (and in fact, eventually //will//) cause one or more knobs to send "jumping" or "sticky" values as the encoder stumbles over a metal flake, or cause it to fail to operate at all. The good news is that the minor servicing required to correct this can be done by any reasonably careful user or technician. This is covered in a great "DIY" [[CeeSixteenRepair C16 servicing document]] by Aaron Allen; you can either perform the maintenance yourself or print out the guide and give it to your regular tech (who is likely to have never seen the insides of a C16 before).
Deletions:
Additions:
This can (and in fact, eventually //will//) cause one or more knobs to send "jumping" or "sticky" values, or fail to operate at all. The good news is that the minor servicing required to correct this can be done by any reasonably careful user. This is covered in a great "DIY" [[CeeSixteenRepair C16 servicing document]] by Aaron Allen; you can either perform the maintenance yourself or print out the guide and give it to your regular tech (who is likely to have never seen the insides of a C16 before).
Deletions:
Additions:
Your C16s will **all** boot up as C16A the first time you use PARIS. If you have multiple cards and multiple C16s, his means that all your C16s will control Submix A; you must now manually assign each C16 individually to the submix you want it to control. To do this, leave your first C16 assigned to Submix A (unless you particularly want a different assignment) and turn to your second C16. Hold down the Submix button on the C16; a green light will appear over one of the tracks on the C16. This represents the submix it is assigned to. To reassign it, keep holding down the submix button and press the number of the desired submix on the C16's keypad (the green light will switch "tracks" to acknowledge the change).
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or need to access the hardware for re-patching, the C16 is the only part of PARIS' hardware you'll really need to have physical access to. Fortunately the C16's cable can be quite long (20' is absolutely fine) which allows you to move the rest of your PARIS equipment to an isolation box or dedicated "machine room" (remember to provide adequate ventilation!), or even a separate room.
- DON'T "hot-plug" your C16. This is a very old system and they're not designed to be plugged in or unplugged while the computer is on (this is not unusual - back in Paris' day there was no such thing as USB or Firewire, and hot-plugging equivalents such as SCSI could very easily fry your motherboard). The potential consequences are similar to using a crossover cable, so always turn off your computer before plugging or unplugging either end of your C16's cable.
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or need to access the hardware for re-patching, the C16 is the only part of PARIS' hardware you'll really need to have physical access to. Fortunately the C16's cable can be quite long (20' is absolutely fine) which allows you to move the rest of your PARIS equipment to an isolation box or dedicated "machine room" (remember to provide adequate ventilation!), or even a separate room.
- DON'T "hot-plug" your C16. This is a very old system and they're not designed to be plugged in or unplugged while the computer is on (this is not unusual - back in Paris' day there was no such thing as USB or Firewire, and hot-plugging equivalents such as SCSI could very easily fry your motherboard). The potential consequences are similar to using a crossover cable, so always turn off your computer before plugging or unplugging either end of your C16's cable.
Deletions:
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or need to access the hardware for re-patching, the C16 is the only part of PARIS' hardware you'll really need to have physical access to. Fortunately the C16's cable can be quite long (20' is absolutely fine) which allows you to move the rest of your PARIS equipment to an isolation box or dedicated "machine room" (assuming adequate ventilation), or even a separate room.
- DON'T "hot-plug" your C16. They're not designed to be plugged in or unplugged while the computer is on. The potential consequences are similar to using a crossover cable, so always turn off your computer before plugging or unplugging either end of your C16's cable.
Additions:
Certain things can potentially PERMANENTLY kill your C16 (and quite possibly your EDS card or even your motherboard), so it's essential to remember the two C16 DON'Ts:
Deletions:
Additions:
Your C16s will boot up as C16A the first time you use PARIS. You must assign each C16 individually to the submix you want it to control. Hold down the Submix button on the C16; a green light will appear over one of the tracks on the C16. This represents the submix it is assigned to. To reassign it, keep holding down the submix button and press the number of the desired submix on the C16's keypad (the green light will switch to reflect the change).
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or need to access the hardware for re-patching, the C16 is the only part of PARIS' hardware you'll really need to have physical access to. Fortunately the C16's cable can be quite long (20' is absolutely fine) which allows you to move the rest of your PARIS equipment to an isolation box or dedicated "machine room" (assuming adequate ventilation), or even a separate room.
C16s connect directly to your EDS card via CAT5 (Ethernet) cable. Unless you want visual feedback from your MEC's signal and clip indicator lights (some users don't) or need to access the hardware for re-patching, the C16 is the only part of PARIS' hardware you'll really need to have physical access to. Fortunately the C16's cable can be quite long (20' is absolutely fine) which allows you to move the rest of your PARIS equipment to an isolation box or dedicated "machine room" (assuming adequate ventilation), or even a separate room.
Deletions:
Additions:
[[SetupConfig back to Setup]]
