Revision history for PatchClick
Additions:
11) Click "OK" in the dialog box>>A commonly heard request: "Can you give me a different sound for the click?". The answer is "no problem" - if you've first created a folder of different click sounds (making sure they are carefully trimmed to have no "dead space" at the top so one sound isn't "laying back" more than others) and left it in an easily accessible location on your HD. Now you can simply 1) select the first click in your track, 2) find the audio file it refers to and 3) use [[ResetFilePath Reset File Path]] to point it to a different sound. If you use different sounds for "downbeats" and "following beats" clearly labelled click tones make it quick and easy to reset them both. I hope to serve a folder of a good variety of trimmed clicks soon)>>
Deletions:
Additions:
11) Click "OK" in the dialog box>>A commonly heard request: "Can you give me a different sound for the click?". The answer is "yes" if you've first created a folder of different click sounds (making sure they are carefully trimmed to have no "dead space" at the top so one sound isn't "laying back" more than others) and left it in an easily accessible location on your HD. Now you can simply 1) select the first click in your track, 2) find the audio file it refers to and 3) use [[ResetFilePath Reset File Path]] to point it to a different sound. If you use different sounds for "downbeats" and "following beats" clearly labelled click tones make it quick and easy to reset them both. I hope to serve a folder of a good variety of trimmed clicks soon)>>
Deletions:
Additions:
11) Click "OK" in the dialog box>>A commonly heard request: "Can you give me a different sound for the click?". The answer is "yes" if you've first created a folder of different click sounds (making sure they are carefully trimmed to have no "dead space" at the top so one sound isn't "laying back" more than others) and left it in an easily accessible location on your HD. You can simply 1) select the first click in your track, 2) find the audio file it refers to and 3) use [[ResetFilePath Reset File Path]] to point it to a different sound. If you use different sounds for "downbeats" and "following beats" clearly labelled click tones make it quick and easy to reset them both. I hope to serve a folder of a good variety of trimmed clicks soon)>>
Deletions:
Additions:
11) Click "OK" in the dialog box>>A commonly heard request: "Can you give me a different sound for the click?" If you create a folder of different click sounds (I hope to serve my own folder soon) and leave it in an easily accessible location on your HD, you can simply 1) select the first click in your track, 2) find the audio file it refers to and 3) use [[ResetFilePath Reset File Path]] to point it to a different sound. If you use different sounds for "downbeats" and "following beats" clearly labelled click tones make it quick and easy to reset them both.>>
Deletions:
>>A commonly heard request: "Can you give me a different sound for the click?" If you create a folder of different click sounds (I hope to serve my own folder soon) and leave it in an easily accessible location on your HD, you can simply 1) select the first click in your track, 2) find the audio file it refers to and 3) use [[ResetFilePath Reset File Path]] to point it to a different sound.>>
No Differences
Additions:
>>A commonly heard request: "Can you give me a different sound for the click?" If you create a folder of different click sounds (I hope to serve my own folder soon) and leave it in an easily accessible location on your HD, you can simply 1) select the first click in your track, 2) find the audio file it refers to and 3) use [[ResetFilePath Reset File Path]] to point it to a different sound.>>
Deletions:
Additions:
To use different Use Reset File Path
**After you lay down your initial tracks**
When you eventually "bounce out" your song in PARIS, its length will be calculated to the last audio material present on the longest track. So if you're fairly confident the "final length" of the song has been roughed in and you don't want to later absentmindedly "bounce out" a fifteen minute audio file for a four minute song:
- select the longest continuous track by clicking on the "data present" light
- press [XXXXXXXXXX?] to go to the end of your newly recorded material
- find your click track
- check to see if there's surplus click after the song's end
- delete the unneeded portion of the click track that extends past the anticipated song length
- save your song
You can always paste more click in later if needed.
**After you lay down your initial tracks**
When you eventually "bounce out" your song in PARIS, its length will be calculated to the last audio material present on the longest track. So if you're fairly confident the "final length" of the song has been roughed in and you don't want to later absentmindedly "bounce out" a fifteen minute audio file for a four minute song:
- select the longest continuous track by clicking on the "data present" light
- press [XXXXXXXXXX?] to go to the end of your newly recorded material
- find your click track
- check to see if there's surplus click after the song's end
- delete the unneeded portion of the click track that extends past the anticipated song length
- save your song
You can always paste more click in later if needed.
Additions:
**Creating finer grid subdivisions by "spoofing" time signatures : **
Deletions:
Additions:
**Creating smaller grid subdivisions by "spoofing" time signatures : **
Deletions:
Additions:
//taken in part from [[http://fanera-minus.narod.ru/paris/tutorials/barsbeats_tip.html this tutorial]]//
Additions:
**Spoofing time signatures to create smaller grid subdivisions: **
To see 1/8 notes in the Grid, set the Time Signature parameters to "8" and "8"; to see 1/16 notes in the Grid, set the Time Signature parameters to "16" and "16."
You can change these settings as needed while you work with a Project. In the Editor Window, the "Use Minor Time Divisions" option will allow you to see more or less detail as you work with the Grid. This setting is found in the Grid & Snap Toolbar (it's the third icon). It can also be changed from the Grid & Snap menu by selecting or de-selecting the item. A check mark indicates that the option is active. (Remember, the Grid must be on in order for you to see these changes.)
The example presumes that the music is in 4/4 time. To work in 3/4 time, set the Time Signature parameters to 6/8 or 12/16. Other time signatures can be accommodated; just calculate the number of 1/8 notes or 1/16 notes that will occur in a measure and set the first parameter of the Time Signature to that number. (For example, in 5/4, there are ten 1/8 notes in a bar. The Time Signature would read 10/8 to see 1/8 notes in the Grid.)
© 2002 All Rights Reserved E-MU / ENSONIQ
To see 1/8 notes in the Grid, set the Time Signature parameters to "8" and "8"; to see 1/16 notes in the Grid, set the Time Signature parameters to "16" and "16."
You can change these settings as needed while you work with a Project. In the Editor Window, the "Use Minor Time Divisions" option will allow you to see more or less detail as you work with the Grid. This setting is found in the Grid & Snap Toolbar (it's the third icon). It can also be changed from the Grid & Snap menu by selecting or de-selecting the item. A check mark indicates that the option is active. (Remember, the Grid must be on in order for you to see these changes.)
The example presumes that the music is in 4/4 time. To work in 3/4 time, set the Time Signature parameters to 6/8 or 12/16. Other time signatures can be accommodated; just calculate the number of 1/8 notes or 1/16 notes that will occur in a measure and set the first parameter of the Time Signature to that number. (For example, in 5/4, there are ten 1/8 notes in a bar. The Time Signature would read 10/8 to see 1/8 notes in the Grid.)
© 2002 All Rights Reserved E-MU / ENSONIQ
